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It copies a lot of X’s design aesthetic and even some features, like clip skimming in the media bins yet, it is clearly track-based.
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As an NLE, it’s somewhat of a mash-up between Final Cut Pro 7 and Final Cut Pro X. The biggest spark of interest I’ve seen for Resolve 11 is due to the editing tools. While this feature demos really well and is certainly a whizz-bang attention-getter, it has the most value for novice users or for DITs who need to get a quick grade for dailies while on location. Now you can copy this grade and apply it to the rest of the shots within that same set-up.Īlthough this isn’t a one-shot fix, it’s intended to give you a good starting point for your grade. Resolve will instantly adjust its curves to correct the color balance of the shot, so that the chart in the image matches the template for that chart in Resolve. Corner-pin the overlay so that the grid lines up over the color swatches in the image and hit the Match button. Next, select the Color Chart grid from the viewer tools, which opens an overlay for that chart.
If you used one of these charts and it’s in your footage, then select the appropriate set of color swatches in the Color Match menu. If you included a color chart when you shot your footage, Resolve can use the image of that chart to set an automatic correction for the color balance of the scene.Ĭolor Match features three template settings for charts, including X-Rite ColorChecker, Datacolor SpyderCheckr and DSC Labs OneShot. Here you’ll find a wealth of grading tools, including camera raw settings, color wheels, primary sliders and more. All color correction occurs in the color module. The interface is divided into four modules: media, edit, color and deliver. Although you can operate Resolve without any third-party i/o hardware, if you want external monitoring or output to tape, you’ll need to purchase one of Blackmagic Design’s PCIe capture cards or Thunderbolt i/o devices. It includes most of the features of the paid software, except collaboration, stereo 3D and noise reduction. Resolve Lite supports output up to UltraHD (3840 x 2160). Both free and paid versions support a variety of third-party control surfaces, with the most popular being the Avid Artist Color and the Tangent Devices Element panels.
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I have covered previous releases of Resolve, so I’ll only briefly touch on color correction in this article.Īs before, DaVinci Resolve 11 comes in four versions: Resolve Lite (free), Resolve Software ($995), Resolve (with the control surface for $29,995) and the Linux configuration. Now for the first time it is worthy for consideration as your NLE of choice. In addition to a redesigned logo and splash screen, Resolve 11 sports more editorial tools than ever before.
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DaVinci Resolve Lite 8.1.1 is available for download now.With the release of DaVinci Resolve 11, Blackmagic Design has firmly moved into the ranks of nonlinear editing.
The other versions of DaVinci Resolve have also been updated to include built-in DNxHD file support.
DaVinci Resolve Lite is also limited to SD and HD projects, but the source footage from the camera can still be any resolution such as 2K, 4K or more so you can still work with the files from these wonderful new cameras from Arri, Sony, Canon and RED. I cannot wait to see the work colorists create with this extra processing power.ĭaVinci Resolve Lite is still limited to 1 GPU, however you can use real time proxies to get more nodes if you run out of processing power on complex grades. We think this is very exciting, and should really help people explore color correction using all the power DaVinci Resolve offers.
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This means you can do much more complex color correction than before without needing to buy the full US$995 version of DaVinci Resolve Software. We are also updating DaVinci Resolve Lite today, and we are now offering unlimited nodes of color correction in the free version, and DNxHD support is also now built in.
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